Agentless Again, But Happy!

Hey guys! 312185_2077885938c24faca78ead0529a48c82-mv2 (1)

I have a big announcement to make. I am back to querying once again! I really enjoyed working with my agent, I learned so much from him, but sometimes life takes you in different directions. Check out my guest blog post, Agentless Again, but Happy to read more about my experience.

Thanks for sticking with me guys! Big things are to come.

jessica grace kelleyt signature



How to Show Emotion on the Page: The Cheat Sheets

Feelings are hard, in both reality and writing. This isn’t a ground-breaking concept, but stay with me.

Characterization is heavily rooted in emotion. Physical traits and personal history can help mold a vivid depiction for a reader, but what really tells an audience about a story’s protagonist and counterparts is how individuals react to situations. Those reactions are portrayed through emotion.

See? I have a point.

Characterization is only one aspect of what makes emotional reaction so key to the creation of a good story. If you ask someone, “what makes a good book?” how the book made them feel is probably going to be embedded in the response you receive.  In order to achieve this connection, the feelings of a novel’s cast need to transfer from paper to the reader. When your protagonist cries, readers need to feel pain. When your antagonist triumphs, readers should have an overwhelming desire to punch the jerk in the face (or make out with said person, depending on your writing style. I lean toward the latter).

All this mumbo-jumbo above is great to know, but how do you achieve it? That’s a question with a mile long answer. There are books written on the subject (check out a few here.) I’ve read one or two, but  when it comes time to write I’m not going to dig out my copy of Emotion, Tension & Conflict and look up the best way to convey “She felt sad”.

Warning: “She felt sad” is the worst route to take. Avoid at all costs. Please.

This leads me to the purpose of this post.  I have a confession. I’m a cheater.

I don’t take the time to dive into another book while writing my own. I use cheat sheets. These sites below help pinpoint frequent mishaps writers make, and help spark ideas.

Cheat Sheet For Writing Emotion

This is a fantastic list of emotional actions. One of the best lists I’ve found.

37 Ways To Write About Anger

Spoiler alert! This one focuses on the infuriating side of things!  Still, a great resource for when your character’s are feeling furious.

The Wheel of Emotions

(I’ll just stick it here to make things simple.)wheel-of-emotions


100 Words For Facial Expressions

Because you can only use “She grinned mischievously” so many times. Or not at all. In fact, don’t use it, use this list instead.

Tips On Effectively Conveying Character Emotion

This article does an incredible job of demonstrating how to put all of the above charts and tips to use. Show versus tell in reality! Woohoo!

I hope these links help you as much as they’ve helped me. Feel free to other links in the comments below. In fact, I encourage it. Thanks for sticking with me through this surprisingly long post (it’s like I’m a writer or something).

Until next time,

#Pitchwars isn’t a contest, it’s an opportunity

I’m not an exceptionally experienced writer. I have one manuscript under my belt and two halvsies. But I’m fairly experienced when it comes to contests. I’ve entered a few.

In fact,  I’ve entered 12 writing contests in the past year. They’re usually run by the RWA but I’ve entered three that were on a worldwide level ( Myslexia, A Woman’s Write, and They have a few differences, but they all have one thing in common. There is a distinct winner.

“That’s how a contest works,” you say, and ready yourself to move on.


You don’t need to waste your time reading things you already understand.

BUT WAIT! I have a point, I swear!!!!

Guys, #Pitchwars isn’t that type of contest. Pitchwars is an opportunity. If you play your cards right, you will walk away with something beneficial, even if you don’t get picked by a mentor. That is always a win.

So, let’s list a few of the benefits of this contest, besides the ever- envied Mentor.

  1. A Beta Reader.
  2. A Critique Partner
  3. Query Edits
  5. The experience of rejection
  6. The experience of acceptance
  7. A measurement of how far you’re willing to go

Guys, this industry is rejection. It will only make you stronger.


Okay, that’s a little bit of stretch, but you get the idea.

As an author, you’re setting yourself up for failure. That’s part of the deal. I learned that lesson very quickly when I lost my first contest. I didn’t even make it to through the first round, and I got a nasty critique letter that didn’t sugar coat the truth. It was painful, but you know what? It was the best thing that ever happened to my writing. I will forever thank the judge who took the time to be brutally honest, and for adding that the reason she was so harsh was because she saw unstructured talent.

I took the advice and rewrote, and things started changing for me. My first final was elating, but the truth is my biggest win was that first loss. Without that failure, I would never have learned the value of a negative critique. It taught me to look at my writing with a critical eye; there is always room for improvement. It taught me to straighten up and deal with the tough stuff because no one is going to hand me a map that leads to greatness. If  I want this, I’m going to earn some scars, which is okay because they make my skin thicker.

When I entered #Pitchwars, I didn’t see it as a contest. Pitchwars was a giant vat of opportunity I could submerge my writing into if I was willing to get the pages of my manuscript wet. The ink might run, and some lines might be lost, but the pretty skeleton of the story would remain.

So I threw myself in. It’s a little deeper than  I anticipated and the water is rough, but there are plenty of fellow writers around me and we are swimming together.

I’ve found a critique partner or two, possibly three! I’ve had my query ripped up in the best way. New sets of eyes showed me flaws I could never see, and now I have the ability to patch up the issues. All in all, I’ve gotten better.

Ladies and Gentlemen, that is a win.

I hope you all find your win, too.

Keep writing,








Tighten your lips
Tighten your belt

Tighten your stitches-

But don’t bleed.


Beg for your wants

Beg for your hopes

Beg on your knees-

But don’t need.


Heighten your goals

Heighten your dreams

Heighten your ambitions-

but don’t fall.


So we sew,

And we staple,

And we burn when we’re able,

And it cauterizes into scars we are sure no one can see.


One more layer,

A lying smile,

A lying laugh to hide a thought

That hides the track lines from a past we never get to leave.


But we all have them

Running up our arms,

Buried beneath skin,

Under sleeves of lovely silk.


The Winners have their losses.

The Triumphs have their falls.

The Saviors have their sacrifice

The Survivors have their guilt.





The Publishing Industry is Subjective

If you are a writer who’s ever pitched a novel, or simply googled insight into the publishing industry, chances are you’ve heard this before.

I know I’ve heard it. I’ve experienced it. I’ve even accepted it. But it wasn’t until this past week I truly understood it. The following experience gave me a different view on those words.

About a month ago, I was given the opportunity to judge the first round of a writing contest. It was a simple “answer these questions, see if you qualify, and you can judge” sort of thing, but I was still looking forward to it. I couldn’t wait to see what the contest process was like from the other side! I opened the entries with excitement, read through them, made notes, and instantly attached to a certain story.  A week later I reread my samples, focusing on the technicalities and quality of writing. I carefully considered, tried to provide helpful feedback, and sent my judged files back to the contest coordinator with a sense of satisfaction. My judgments were fair. Every score I gave could be justified (at least by me!).

But here’s the crazy thing-

I didn’t give my favorite story the highest score.

Why? Because technically, it wasn’t the best. The highest scoring story flowed better. The sample was flawless. There were no mistakes, no awkward phrasing, and no grammatical errors (that I picked up on). It was simply  well written.

However, something about the second ranking sample spoke to me. The characters grabbed me, and the story drew me in. I wanted to read it.

What’s really puzzling is if I were to summarize the story lines, the highest ranking book had a better plot. More happened. It moved at a quick pace. But there was something about the second place book I loved. I don’t know what it was. I can’t explain it. It simply connected with me.

As I ponder this experience  I’m blasted with an understanding I thought I previously grasped, but obviously didn’t.

The love of a book is subjective.859697

My judging experience opened
my eyes to a new side of things. I’ll probably need to reread this post in the future to remind myself, but I finally understand. If  I were an agent, I wouldn’t have requested a full for an arguably well written book, simply because it didn’t speak to me.

This taught me how important it is to find people who connect with your work.  If my writing is good, and I constantly strive to improve my craft, eventually I will find the right people to help me get my book out there. A big part of success is commitment.

At least, that’s what I tell myself. jessica grace kelleyt signature

Until then, I’ll keep writing